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Samplers are a fascinating collectible of Historical Textile Art.It was a source for her to refer to, of patterns and stitches, before the introduction and growing availability of printed designs.Click for more information and to discover our other exciting email updates.Email updates may contain offers from Annie's and other companies.George III, dated 1816 1816 Silkwork Sampler by Mary Atkinson. A wonderful set of motifs, including potted flowering plants, dogs, rabbits, a fox, flowers, birds, owls, squirrels, hearts, fir trees, butterflies, lady and gentleman figures and two houses. Very minor stitch loss to the border and one divider line. Verse entitled ''A CONTEMPLATION ON NIGHT.'' reads ''When the pure soul is from the body flown, But thou, O God: for ever shine the same.''. 18.5ins by 12.25ins wide George IV, dated 1824 1824 Silkwork Sampler by Jane Roberts. Stitched to linen and mounted on fine linen with wooden backing. 19.75ins by 13ins wide William IV, dated May 1st 1837 Large 1837 Sampler by Anne Gronshaw. Mounted to conservator standards on acid free card with chipboard backing. The sampler is worked in wool and silk on canvas ground, in a variety of stitches. Colours red, cream, blue, light brown, white, black, light green, orange, olive green and pink. Framed in an old wood frame with gilt slip and glass. Depicts a map of England and Wales with surrounding seas, oceans and channels. Framed in an old wood frame with gilt slip and glass. Finely embroidered motif of Britannia (upper torso and head is drawn on the canvas, not stitched) standing at the shore below a tree, sailing ship in the background. Colours are mostly good and strong with no noticeable fading. Signed and dated ''18 Maria Druce Aged 12 Years 36''. 24.75ins by 22.25ins wide Circa 1830 Circa 1830 Silkwork Sampler by Elleanor Corps. The sampler is worked in silk on linen ground, in a variety of stitches. Colours blues, greens, silver, magenta, cream and gold. Verse reads ''See how the lilies flourish white and fair Old age steals on us never thought upon''. The sampler is worked in fine wool and silk on linen ground, in a variety of stitches. Colours pinks, cream, red, pale blue, gold, black, olive green, grey and dark green. A few pale, patchy stains and slight uniform age darkening of the ground. 26.75ins by 25.5ins wide William IV, dated 1835 Large 1835 Sampler by Jane Ingham. Verse reads ''Jesus stands with open arms And every charm says come''. A good set of motifs, including a large building with gatehouses, possibly Solomon''s temple, flanked by trees, birds, flowers, fruit baskets, fir trees, fruit trees, figures and potted flowering plants. Mounted to conservator standards behind green mount card, on acid free card with chipboard backing. The map includes county names and major towns within the counties. Patterns stitched into these early samplers were often sewn as a reminder of a stitch so that the sewer could refer to it later.

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Text "Preserve me Lord amidst the crowd From every thought that's vain and proud And raise my wandering mind to see How good it is to trust in Thee""Sarah Smith's Sampler 1832......

Samplers dating from the 17th, 18th, and 19th Century have been my focus and area of interest. You will find American, European and Canadian samplers in my collection.

I am interested in buying as well as selling samplers.

As in 16th and 17th England, Colonial samplers were typically produced by schoolgirls as a way learn needlework skills.

Teachers favored the band format for reasons of thrift, although by the 18th century, samplers began to get shorter and wider.